Hypnomancer
cinematic songwriter
As a wordsmith, my curiosity and passion for blending diverse musical genres provides an ideal way to explore songwriting as a vehicle for cinematic storytelling. I approach each song as its own world, uniquely set in time, locale, and emotional tone. These vivid narratives include a wide range of characters and accounts from the wired anxiety of an unfolding political intrigue to the fumbled lines of a chance romantic tryst, a moment of prayer, a rant, or an alien encounter on a back country road. The creative scope of these sonic dramas has been greatly expanded by the advent of generative AI, which enables my poetic stories to quite literally drive musical expression. Generative AI sound-making tools allow for quicker production timelines, lower recording costs, and a greater choice of musical setting. More importantly, this emergent technology liberates the songwriter to imagine far beyond the confines of a singular iconic voice to become the multitude we are!
Find many more songs here, from blistering rock to adventurous forays across foreign lands and desolate sci-fi soundscapes. soundcloud.com/iotronik
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Hypnomancer (aka David Stout) is a musical shape shifter exploring the world of hybrid sound cultures blending a wide array of genres from folk, rock, country, jazz, and global fusion to widely divergent electronic styles, abstract soundscapes, minimalism, and contemporary classical music. His compositions, songs, and scores are produced with a variety of instrumental approaches including modular synthesizers, custom soft synths, field recordings, folk instruments, generative AI, and session instrumentalists. David received his MFA in Film-Video & Music from the California Institute of the Arts followed by an active professional career as a professor and celebrated performance director leading diverse interdisciplinary production teams and teaching effective skills for collaboration across the arts. He is among a growing number of multi-disciplinary artists exploring the power and potential of new and emerging media.
Learn more at davidstout.net
Never
It all begins with an idea.
Never
Pensive cinematic trip hop fuels this interior dialogue of betrayal and abandonment. Is this a rumor of an illicit affair, a clandestine meeting, an incidence of espionage, or an invention of her panicking imagination?
Soundtrack, Betrayal, Romantic, Relationships, Psycho-Drama, Strings, Distress, Cinematic, Atmospheric
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is that you?
I know we said, let’s take this somewhere else, instead,
is that you?
I thought I heard but can’t remember,
maybe missing, maybe later
is that you?I know we said, let’s take this somewhere else, instead,
is that you?
I thought I heard but can’t remember,
maybe missing, maybe later
is that you?ta ta ta ta ta ta
talk to me, say you never
ta ta ta ta ta ta
talk to me, say we never, never …is that you?
where is the key, I left another in my sweater,
is that you?
I thought I knew your name, I called
you didn’t, ever answer
is that you?I know we said, let’s make this one time even better,
is that you?
I heard this sound but that’s real long that I can’t remember,
is that you?
maybe lost it, losing us together
is that you?ta ta ta ta ta ta
talk to me, say you never
ta ta ta ta ta ta
talk to me, say we never, never …
Wild Skies
It all begins with an idea.
Wild Skies
A gothic country ballad with a hint of techno recounts the inability to save someone who cannot see their own plight or admit surrender to the well-meaning care from others.
Ballad, Poetic, Cinematic, Soundtrack, Songwriter, Country, Gothic-Country, Country-Rock, Electronic, Ambient, Shoegaze
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There was that awkward pause in her parting phrase,
going down this road before the world was paved.
That silent ah--awards an early grave,
is our bridge too far for those we want to, saveWhen all the time was just another shifting load,
on the shoulders of three brothers down the road.
All hesitating and unevenness displayed,
on the bridge too far for those we want to, save awayOhh, the wild skies are not safe shelter in the storm
But their beauty is a fury we all know
Down from heaven, into heaven we all go,
from these fields of dust and clay where we were grown.When your sister, or some mother sits alone
In a cell made out of cardboard for a home
In a nest of all the troubles she can claim
the bridge too far for those who won’t be savedOhh, the wild skies are not safe shelter in the storm
But their beauty is a fury we all know
Down from heaven, into heaven we all go,
from these fields of dust and clay where we were grown.Ohh, the wild skies are not safe shelter in the storm
But their beauty is a fury we all know
Down from heaven, into heaven we all go,
from these fields of dust and clay where we were grown
Voltage in the Wire
It all begins with an idea.
Voltage in the Wire
Jazz inflected groove with a nod to music of the Middle East gives a dark and unflinching look at human frailty and the consequence of our choices.
Alt Rock, Soundtrack, Songwriter, Spoken Word, Dramatic, Hypnotic, Poetic, Gritty, Trip-Hop, World, Jazz, Noir
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This small man goes bumpin' to the top
where the sad man sits shattered and lost
There were two men in the ring for a night
Neither man had a stomach for the fightThis blonde chick goes bendin’ for some cash
where tha blue girl’s slippin’ roofies down the hatch
both women with a leper’s luck to lose
skippin’, flippin’ in some shiny shiny shoesWhen one turns on the other turns on the other turns
When one takes a swing, takes a drink, takes another never learns
When one turns on the other turns on the other turns
When one takes a swing, takes a drink, takes another never learnsTwo kids wearing daddy’s pistol just for fun
Swipen’ comics, Shootin’ bottles, Chewin’ gum
One trips, loses balance, on the curb
Nails the other, in the silence, not a wordTwo men, cutting corners, carved in steel
Shaking hands, behind our backs, cementing deals
Both, tongue waggers wielding armies, might and fire
Set a scene, where no one will escape the voltage in the wireWhen one turns on the other turns on the other turns
When one takes a swing, takes a drink, takes another never learns
When one turns on the other turns on the other turns
When one takes a swing, takes a shot, takes another never learns
Lover’s Reel
It all begins with an idea.
Lover’s Reel
Blending Celtic folk with contemporary pop production, this light and festive celebration is based on drawing archetypal cards from the Tarot. In turn, the priestess, the child, the sun, the wheel, and the lovers all make an appearance in this dancing lover’s reel.
Soundtrack, Reel, Folk, Tarot, Electronic, Folktronica, Celtic, Classical, Fiddle, Mystical, Period-Drama
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burst through the door
all welcome smiles
across the floor
and in the aisles
the circle spinning
on the dialand wrap your arms
around another
meet his eyes now
greet another
the circle spinning
on the dialHere comes the priestess on her drum
Here comes the child
Here comes the Sun
Here comes the one who spins the wheel
Here comes the dancing lover's reelnow watch them soar
all blissful smiles
rise off the floor
leap from the aisles
the circle spinning
on the dialand wrap your arms
around another
meet her eyes now
be the other
the circle spinning
on the dialHere comes the priestess on her drum
Here comes the child
Here comes the Sun
Here comes the one who spins the wheel
Here comes the dancing lover's reel