Hypnomancer

cinematic songwriter

As a wordsmith, my curiosity and passion for blending diverse musical genres provides an ideal way to explore songwriting as a vehicle for cinematic storytelling. I approach each song as its own world, uniquely set in time, locale, and emotional tone. These vivid narratives include a wide range of characters and accounts from the wired anxiety of an unfolding political intrigue to the fumbled lines of a chance romantic tryst, a moment of prayer, a rant, or an alien encounter on a back country road.  The creative scope of these sonic dramas has been greatly expanded by the advent of generative AI, which enables my poetic stories to quite literally drive musical expression. Generative AI sound-making tools allow for quicker production timelines, lower recording costs, and a greater choice of musical setting. More importantly, this emergent technology liberates the songwriter to imagine far beyond the confines of a singular iconic voice to become the multitude we are!

Find many more songs here, from blistering rock to adventurous forays across foreign lands and desolate sci-fi soundscapes. soundcloud.com/iotronik

  • Hypnomancer (aka David Stout) is a musical shape shifter exploring the world of hybrid sound cultures blending a wide array of genres from folk, rock, country, jazz, and global fusion to widely divergent electronic styles, abstract soundscapes, minimalism, and contemporary classical music. His compositions, songs, and scores are produced with a variety of instrumental approaches including modular synthesizers, custom soft synths, field recordings, folk instruments, generative AI, and session instrumentalists. David received his MFA in Film-Video & Music from the California Institute of the Arts followed by an active professional career as a professor and celebrated performance director leading diverse interdisciplinary production teams and teaching effective skills for collaboration across the arts. He is among a growing number of multi-disciplinary artists exploring the power and potential of new and emerging media.

    Learn more at davidstout.net


Never

It all begins with an idea.

Never

Pensive cinematic trip hop fuels this interior dialogue of betrayal and abandonment. Is this a rumor of an illicit affair, a clandestine meeting, an incidence of espionage, or an invention of her panicking imagination?

Soundtrack, Betrayal, Romantic, Relationships, Psycho-Drama, Strings, Distress, Cinematic, Atmospheric

  • is that you?
    I know we said, let’s take this somewhere else, instead,
    is that you?
    I thought I heard but can’t remember,
    maybe missing, maybe later
    is that you?

    I know we said, let’s take this somewhere else, instead,
    is that you?
    I thought I heard but can’t remember,
    maybe missing, maybe later
    is that you?

    ta ta ta ta ta ta
    talk to me, say you never
    ta ta ta ta ta ta
    talk to me, say we never, never …

    is that you?
    where is the key, I left another in my sweater,
    is that you?
    I thought I knew your name, I called
    you didn’t, ever answer
    is that you?

    I know we said, let’s make this one time even better,
    is that you?
    I heard this sound but that’s real long that I can’t remember,
    is that you?
    maybe lost it, losing us together
    is that you?

    ta ta ta ta ta ta
    talk to me, say you never
    ta ta ta ta ta ta
    talk to me, say we never, never …

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Wild Skies

It all begins with an idea.

Wild Skies

A gothic country ballad with a hint of techno recounts the inability to save someone who cannot see their own plight or admit surrender to the well-meaning care from others.

Ballad, Poetic, Cinematic, Soundtrack, Songwriter, Country, Gothic-Country, Country-Rock, Electronic, Ambient, Shoegaze

  • There was that awkward pause in her parting phrase,
    going down this road before the world was paved.
    That silent ah--awards an early grave,
    is our bridge too far for those we want to, save

    When all the time was just another shifting load,
    on the shoulders of three brothers down the road.
    All hesitating and unevenness displayed,
    on the bridge too far for those we want to, save away

    Ohh, the wild skies are not safe shelter in the storm
    But their beauty is a fury we all know
    Down from heaven, into heaven we all go,
    from these fields of dust and clay where we were grown.

    When your sister, or some mother sits alone
    In a cell made out of cardboard for a home
    In a nest of all the troubles she can claim
    the bridge too far for those who won’t be saved

    Ohh, the wild skies are not safe shelter in the storm
    But their beauty is a fury we all know
    Down from heaven, into heaven we all go,
    from these fields of dust and clay where we were grown.

    Ohh, the wild skies are not safe shelter in the storm
    But their beauty is a fury we all know
    Down from heaven, into heaven we all go,
    from these fields of dust and clay where we were grown


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Voltage in the Wire

It all begins with an idea.

Voltage in the Wire

Jazz inflected groove with a nod to music of the Middle East gives a dark and unflinching look at human frailty and the consequence of our choices.

Alt Rock, Soundtrack, Songwriter, Spoken Word, Dramatic, Hypnotic, Poetic, Gritty, Trip-Hop, World, Jazz, Noir

  • This small man goes bumpin' to the top
    where the sad man sits shattered and lost
    There were two men in the ring for a night
    Neither man had a stomach for the fight

    This blonde chick goes bendin’ for some cash
    where tha blue girl’s slippin’ roofies down the hatch
    both women with a leper’s luck to lose
    skippin’, flippin’ in some shiny shiny shoes

    When one turns on the other turns on the other turns
    When one takes a swing, takes a drink, takes another never learns
    When one turns on the other turns on the other turns
    When one takes a swing, takes a drink, takes another never learns

    Two kids wearing daddy’s pistol just for fun
    Swipen’ comics, Shootin’ bottles, Chewin’ gum
    One trips, loses balance, on the curb
    Nails the other, in the silence, not a word

    Two men, cutting corners, carved in steel
    Shaking hands, behind our backs, cementing deals
    Both, tongue waggers wielding armies, might and fire
    Set a scene, where no one will escape the voltage in the wire

    When one turns on the other turns on the other turns
    When one takes a swing, takes a drink, takes another never learns
    When one turns on the other turns on the other turns
    When one takes a swing, takes a shot, takes another never learns

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Lover’s Reel

It all begins with an idea.

Lover’s Reel

Blending Celtic folk with contemporary pop production, this light and festive celebration is based on drawing archetypal cards from the Tarot. In turn, the priestess, the child, the sun, the wheel, and the lovers all make an appearance in this dancing lover’s reel.

Soundtrack, Reel, Folk, Tarot, Electronic, Folktronica, Celtic, Classical, Fiddle, Mystical, Period-Drama

  • burst through the door
    all welcome smiles
    across the floor
    and in the aisles
    the circle spinning
    on the dial

    and wrap your arms
    around another
    meet his eyes now
    greet another
    the circle spinning
    on the dial

    Here comes the priestess on her drum
    Here comes the child
    Here comes the Sun
    Here comes the one who spins the wheel
    Here comes the dancing lover's reel

    now watch them soar
    all blissful smiles
    rise off the floor
    leap from the aisles
    the circle spinning
    on the dial

    and wrap your arms
    around another
    meet her eyes now
    be the other
    the circle spinning
    on the dial

    Here comes the priestess on her drum
    Here comes the child
    Here comes the Sun
    Here comes the one who spins the wheel
    Here comes the dancing lover's reel

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