Hypnomancer
cinematic songwriter
As a wordsmith, my curiosity and passion for blending diverse musical genres provides an ideal way to explore songwriting as a vehicle for cinematic storytelling. I approach each song as its own world, uniquely set in time, locale, and emotional tone. These vivid narratives include a wide range of characters and accounts from the wired anxiety of an unfolding political intrigue to the fumbled lines of a chance romantic tryst, a moment of prayer, a rant, or an alien encounter on a back country road. The creative scope of these sonic dramas has been greatly expanded by the advent of generative AI, which enables my poetic stories to quite literally drive musical expression. Generative AI sound-making tools allow for quicker production timelines, lower recording costs, and a greater choice of musical setting. More importantly, this emergent technology liberates the songwriter to imagine far beyond the confines of a singular iconic voice to become the multitude we are!
Find many more songs here, from blistering rock to adventurous forays across foreign lands and desolate sci-fi soundscapes. soundcloud.com/iotronik
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Hypnomancer (aka David Stout) is a musical shape shifter exploring the world of hybrid sound cultures blending a wide array of genres from folk, rock, country, jazz, and global fusion to widely divergent electronic styles, abstract soundscapes, minimalism, and contemporary classical music. His compositions, songs, and scores are produced with a variety of instrumental approaches including modular synthesizers, custom soft synths, field recordings, folk instruments, generative AI, and session instrumentalists. David received his MFA in Film-Video & Music from the California Institute of the Arts followed by an active professional career as a professor and celebrated performance director leading diverse interdisciplinary production teams and teaching effective skills for collaboration across the arts. He is among a growing number of multi-disciplinary artists exploring the power and potential of new and emerging media.
Learn more at davidstout.net
Voltage in the Wire
It all begins with an idea.
Voltage in the Wire
Jazz inflected groove with a nod to music of the Middle East gives a dark and unflinching look at human frailty and the consequence of our choices.
Alt Rock, Soundtrack, Songwriter, Spoken Word, Dramatic, Hypnotic, Poetic, Gritty, Trip-Hop, World, Jazz, Noir
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This small man goes bumpin' to the top
where the sad man sits shattered and lost
There were two men in the ring for a night
Neither man had a stomach for the fightThis blonde chick goes bendin’ for some cash
where tha blue girl’s slippin’ roofies down the hatch
both women with a leper’s luck to lose
skippin’, flippin’ in some shiny shiny shoesWhen one turns on the other turns on the other turns
When one takes a swing, takes a drink, takes another never learns
When one turns on the other turns on the other turns
When one takes a swing, takes a drink, takes another never learnsTwo kids wearing daddy’s pistol just for fun
Swipen’ comics, Shootin’ bottles, Chewin’ gum
One trips, loses balance, on the curb
Nails the other, in the silence, not a wordTwo men, cutting corners, carved in steel
Shaking hands, behind our backs, cementing deals
Both, tongue waggers wielding armies, might and fire
Set a scene, where no one will escape the voltage in the wireWhen one turns on the other turns on the other turns
When one takes a swing, takes a drink, takes another never learns
When one turns on the other turns on the other turns
When one takes a swing, takes a shot, takes another never learns